馬特•法蘭克斯1970年生於英格蘭北部約克郡,先後就讀斯塔福德郡大學及倫敦金匠學院,現於倫敦生活和工作。
法蘭克斯與他同期的雕塑家一樣,作品主要採用大量生產的工業物料及日常消耗品作為材料。他在大型泡沫塑膠上,製作幽默奇異的形像,且取材廣泛,從高雅藝術到流行文化都有。法蘭克斯曾這樣形容自己的作品:「創作時,我總是任由意象先行,物料的限制以及我對物料粗淺笨拙的處理手法,就大致決定了作品的面貌。我可能看過貝尼尼塑像的某些秀髮如雲、衣袂飄然的作品,並嘗試在物料上進行演化。材料是適合的,但為了不過於工整和講究,我喜歡隨意一點,有時更是故意的隨心。只取大概意思即可,我並不希望作品只著重表面雕琢……我決定複製史詩式的一剎那,它只存在於特定時空,或只曾在電影裡出現。我的蘑菇雲就是這樣誕生的,用意是以最簡陋的材料去捕捉最震撼的事件。」
「我時常參考繪畫、當代插圖及平面設計,並從中抽取靈感,有點像拆件的方式。事實上,很多設計師-平面設計師、插畫家- 都會借鑑純藝術的手法,反之亦然。在各類創作互相借鑑之時,我亦從中有所得著。由於參考來源主要是平面的,或至少是它的平面複製品,將之轉為立體便是將它們帶進真實世界。實際上,最終還是要看我如何詮釋這些圖像— 把它們輕微改造,賦予個人特色,亦同時使作品帶有易於辨析的獨特風格。它有種離經叛道的姿態,又或者可說是一份執迷。」
馬特•法蘭克斯近期個展有:柏比•豪爾德沃夫畫廊及高偉紳律師事務所(倫敦,2008);由當代藝術協會舉辦之展覽「轟!!」(經濟學人廣場,倫敦,2007);「現在藝術」計劃(泰特英國美術館,2002);德土希畫廊(奧克蘭,2002);艾利森•雅克畫廊(倫敦,2002)。近期參與的聯展有︰「都會興起:來自倫敦的新藝術」(文化事務研究所,倫敦、上海、北京,2006);以及「8x8x8」(肥皂廠畫廊,明尼阿坡里斯,2006)。
Matt Franks was born in Yorkshire in the north of England in 1970, and studied at Staffordshire University and at Goldsmiths College in London. He lives and works in London.
Matt Franks is one of a generation of British sculptors whose work is made from mass-produced industrial materials and everyday ephemera. He carves huge blocks of Styrofoam to produce humorous and bizarre works with a broad spectrum of references, from high art to pop culture. As Franks describes his work “I’m always trying to let the imagery decide itself as I’m making the object so that the limitations of the material and the way I handle it — the clumsiness — kind of dictate the outcome. I may be looking at something by Bernini with lots of flowing hair and drapes and I’ll translate that into this material. It’s entirely appropriate in this material but you know through working with it and trying not to become too crafted and too fussy — I like to let things slip a bit, kind of deliberately. It’s an approximation and plus I don’t want to push the work into the realms where it’s all about surface and perfection… I decided to copy epic flash points that really only exist in time and space. Points that have no other existence, except in terms of film. So I made the mushroom clouds — that was all about using impoverished material to capture something that was momentous.
I’m always looking at painters and contemporary illustrations and graphic design and just lifting bits out of that. So it’s a little bit cannibalistic because a lot of the designers — graphic designers, illustrators — they’re all borrowing from the fine art tradition and vice versa, so there’s this swapping going over and I’m kind of taking from that crossover that’s happening there. Since my sources are mainly two-dimensional, or at least taken from reproductions, changing them into the three-dimensional brings them into the real world. Effectively, it comes back to my own interpretation of these images — twisting them slightly so they become more my own, but also a kind of idiosyncratic way that people recognise. An eccentricity of some kind — maybe an obsession.”
Matt Franks has had recent solo shows at Pippy Houldsworth, London and Clifford Chance, London in 2008; Fooooom!!, commissioned by Contemporary Art Society, Economist Plaza, London, 2007; Art Now, Tate Britain, Te Tuhi Gallery, Auckland and Alison Jacques, London in 2002. Recent group exhibitions include Metropolis Rise: New Art From London, ICA, London, Shanghai and Beijing and 8x8x8 at The Soap Factory, Minneapolis in 2006.